ForM is by far my favourite group exhibition of the year to visit and I am honoured to have been one of artists involved in it this year.
If you missed the exhibition, here’s a round up.
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Why you should Stop and Smell the Roses, and how it helps your art.
Plus, The Porcelain Roses Collection
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Why you should banish feeling guilty about making or buying art, once and for all
Plus, The Porcelain Roses Collection
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The start of a new thread for the blog: Studio Snapshot, a glimpse into what’s happening in the studio.
This time, what does an Under the Radar Launch mean? Plus, a brand new Product - Porcelain Roses
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Practical solutions that make sculpting in clay at home more manageable.
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Millies, an Exhibition at Conway Mill of some of the resident artists launched last night as part of Late Night Art and continues until 11 August. Although my studio is located at Blackstaff rather than Conway Mill, I was invited to exhibit alongside the collective as a neighbour Millie and showed a wall mounted piece, Slumber
Plus, a new exciting Art Workshop programme launched!
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Why I love displaying Sculpture outside the White Walled Gallery.
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Form is by far my favourite group exhibition of the year to visit and I am honoured to have been one of artists involved in it this year.
If you missed the exhibition, here’s a round up..
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Behind the scenes process photographs and inspiration of new sculpture, ‘Interconnected.’
Plus your invitation to Form: an Outdoor Exhibition
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I have worked across a range of sizes, from larger than life, half scale and miniature and each of these require different considerations, time frames, approaches and tools. What I find most interesting is how our main tool, the body, reacts in such different ways when approaching a particular scale…
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‘Materiality’ not only shows this 'physical body' of artwork, but also the unseen aspects which go into bringing that work to life.
It comments on what takes place under the surface mentally, financially and logistically in order to deliver an exhibition or further one's creative career.
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The idea for this exhibition came about through a random chat like this - we all decided that we needed a way of balancing making a living from art, and making art for a full living.
A subtle but important difference.
I was all set to study Biomedical and Health Courses at University but when faced with the idea of mortality and missed opportunities , I decided to follow my heart and go to Art College instead.
After 4 years of study I graduated with 'Torso Series' that explored a combination of strength and fragility,
My fascination with clay began when at age 14 my friend and I signed up to a pottery class at our local art centre.
It was her idea...I reluctantly agreed!