Business advice everywhere is to niche down.
To pick one thing and stick at it - which I guess makes me an artist first and business women second, because I just can't choose. I love clay and making but equally, I love paper & painting....Maybe I'm greedy.
This Course introduces paperclay - my two passions combined.
Read MoreMini portraits like this one may be small in size, and appear unassuming or quiet, but the impact they have is huge!
The painting commands a person's full attention asking them to enter it's world. Physically, the viewer begins to move, they lean in, focus and steady themselves as they become silent - it can be very moving to witness.
Read More‘Materiality’ not only shows this 'physical body' of artwork, but also the unseen aspects which go into bringing that work to life.
It comments on what takes place under the surface mentally, financially and logistically in order to deliver an exhibition or further one's creative career.
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The idea for this exhibition came about through a random chat like this - we all decided that we needed a way of balancing making a living from art, and making art for a full living.
A subtle but important difference.
I was all set to study Biomedical and Health Courses at University but when faced with the idea of mortality and missed opportunities , I decided to follow my heart and go to Art College instead.
After 4 years of study I graduated with 'Torso Series' that explored a combination of strength and fragility,
We all have a story about our creativity, from the 'I was never good at art in school' to the 'I dabble at the weekends', 'I want to make a living from my passion,' or a million others.
Here's the story of why I chose to become an artist. And all good stories start with ‘Once Upon a Time,’ right?
Read MoreUnsurprisingly, I have a severe love hate relationship with Social Media and am a bit tech-dyslexic...I did a Masters in mud after-all, you can't get more primal than that! But that hasn't meant that I've managed to get away without living within our increasingly virtual world....
Read MoreMy fascination with clay began when at age 14 my friend and I signed up to a pottery class at our local art centre.
It was her idea...I reluctantly agreed!
The Kungsleden not only offered a fresh physical challenge, it offered a chance to consider how a remote location, cut off from the everyday tasks of 'normal' life and work would impact me mentally and creatively.
The main revelation has been to slow down and reevaluate what's important in how I make a living…
The Kungsleden, with it's vast and remote location seemed like the perfect get away to focus on fitness and creativity.
It turned out to be worth every single step…
Read MoreIt 'dawned' on me that this is actually quite similar to painting. I'm often reminding students to explore the full value range of a colour, not just the lights and mid-tones but to be brave and put that dark value mark down!
Read MoreAt first, I wasn’t sure if this was the right subject matter to remember a lost loved one as I felt it could imply a focus on the loss, rather than the life of the person.
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